Movie Screening
CINEFORUM
Lino and his wife Chicca lead a happy life and are satisfied with their marriage and their careers. He is a sports editor and she is a professor of medieval languages. Their only regret is not having children but even that seems to have strengthened their relationship. Unexpectedly, Lino’s memory problems get worse and he is diagnosed with a degenerative illness affecting his brain cells. The slow process of a man drifting away from his present and regressing to his childhood begins. Chicca stands by her husband and nurses him as the child they never had.
Director: Pupi Avati – Italy 2010 – 98 min.
Film in Italian with English subtitles
TRAILER (via Youtube)
DOORS OPEN AT 6:00PM AND CLOSE PROMPTLY AT 6:30PM
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Please click on “Make a Reservation” by August 12, 2014 at 2 PM
Reservations are available until we reach
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PHOTO ID REQUIRED
LOCATION
Embassy of Italy – Auditorium
3000 Whitehaven Street NW
Washington, DC 20008
MORE INFO
PUPI AVATI
Pupi Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Bologna, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming an amateur clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.
Although he initially intended to be a professional musician, Avati lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema, his other love, after seeing Federico Fellini’s 8½ and its portrait of the role of a director. Avati’s passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions. His filmography as a director includes almost forty films and television works. As a screenwriter, Avati wrote or co-authored the majority of his movies, as well as screenplays for other directors. He cooperated on the script of “Salò o le 120 giornate di Sodoma” (Salò, or the 120 Days of Sodom, 1976) directed by Pier Paolo Pasolini, even though he is not credited for it. Avati began his career directing horror films and is considered one of the most notable Italian directors of this genre, with titles including La casa dalle finestre che ridono (The House with Laughing Windows, 1976) and Zeder (1983), which are considered his masterpieces. According to Avati, the TV series “Jazz Band” (1978), written about the story of the Doctor Dixie Jazz Band marked a turning point for his work. The subject of his movies began coming from his own experience, and his cinema became more nostalgic, introspective, and autobiographic. Moreover, the series was successful and brought Avati to the attention to a wider public compared to his previous films.Throughout his career, Avati successfully directed and produced many genres of film, including horrors, medieval period pieces, dramas, jazz comedies, buddy comedies, biopics and others, proving himself to be a versatile director. During his career as a director, screenwriter, and producer, Avati was nominated for the Golden Palm, Silver Ribbons, David di Donatello Awards, and many others. He won two David di Donatello Awards and five Silver Ribbons. Avati published his autobiography, “Sotto le stelle di un film”, edited by Il Margine. Inspired by the autobiography of the director, in 2010, Claudio Costa made a documentary film of interviews and animations, called Pupi Avati, ieri oggi domani (“Pupi Avati, yesterday today tomorrow”).
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