MOVIE SCREENING
CINEFORUM
The excruciating love story of Giovanna (Sofia Loren), a bereft Italian spouse, who wanders and looks for her husband Antonio (Marcello Mastroianni) in Russia. Antonio left and never returned after serving on the Russian front in World War II, and when she finally finds him, he has a Russian wife, a daughter, and amnesia.
Italy/USSR/France, 1970, 107 min.
Directed by Vittorio De Sica
Film in Italian with English subtitles
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LOCATION
Embassy of Italy – Auditorium
3000 Whitehaven Street NW
Washington, DC 20008
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Synopsis
The excruciating love story of Giovanna (Sofia Loren), a bereft Italian spouse, who wanders and looks for her husband Antonio (Marcello Mastroianni) in Russia. Antonio left and never returned after serving on the Russian front in World War II, and when she finally finds him, he has a Russian wife, a daughter, and amnesia. Giovanna, distraught by the discovery, returns to Italy and tries to forget the past. Some years later, Antonio returns and he asks her to go live with him in Russia. Meanwhile, Giovanna tried to move on with her own life, she works in a factory and lives with a man, with whom she has a baby boy.
Antonio visits her and tries to explain his new life, how war changes a man, how safe he felt with his new woman after years of confusion. Unwilling to ruin Antonio’s daughter’s or her own son’s life, Giovanna refuses to leave Italy.
As they part, Antonio gives her a fur, which he promised her. The lovers lock eyes one last time as Antonio’s train takes him away from Giovanna, and from Italy.
Vittorio De Sica
Vittorio De Sica grew up in Naples, and started out as an office clerk in order to raise money to support his poor family. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. By the late 1920s he was a successful matinee idol of the Italian theatre, and repeated that achievement in Italian movies, mostly light comedies. He turned to directing in 1940, making comedies in a similar vein, but with his fifth film The Children Are Watching Us (1944), he revealed hitherto unsuspected depths and an extraordinarily sensitive touch with actors, especially children. It was also the first film he made with the writer Cesare Zavattini with whom he would subsequently make Shoeshine (1946) and Bicycle Thieves (1948), heartbreaking studies of poverty in postwar Italy which won special Oscars before the foreign film category was officially established. After the box-office disaster of Umberto D. (1952), a relentlessly bleak study of the problems of old age, he returned to directing lighter work, appearing in front of the camera more frequently. Although Yesterday, Today and Tomorrow (1963) won him another Oscar, it was generally accepted that his career as one of the great directors was over. However, just before he died he made The Garden of the Finzi-Continis (1970), which won him yet another Oscar, and his final film A Brief Vacation (1973). He died following the removal of a cyst from his lungs.
IMDb Mini Biography By: Michael Brooke
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