di Vittorio De Sica
Cineforum 2014
The film consists of three short stories about couples in different parts of Italy. Starring in all three episodes Sophia Loren and Marcello Mastroianni. The film won the Academy for Best Foreign Language Film at the 37th Academy Awards.
Italy 1963, 118 min.
Directed by Vittorio De Sica
Film in Italian with English subtitles
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LOCATION
Embassy of Italy – Auditorium
3000 Whitehaven Street NW
Washington, DC 20008
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Synopsis
The film consists of three short stories about couples in different parts of Italy. Starring in all three episodes Sophia Loren and Marcello Mastroianni. Adelina of Naples
Set in the poorer Naples of 1953, Adelina supports her unemployed husband Carmine and child by selling black market cigarettes. When she doesn’t pay a fine, her furniture is to be repossessed. However her neighbors assist her by hiding the furniture. A lawyer who lives in the neighborhood advises Carmine that as the fine and furniture is in Adelina’s name, she will be imprisoned. However, Italian law stipulates that women cannot be imprisoned when pregnant or within six months after a pregnancy. As a result Adelina schemes to purposely stay pregnant. After seven children, Carmine is seriously exhausted and Adelina must make the choice of being impregnated by their mutual friend Pasquale or be incarcerated.
Anna of Milan
Anna is the wife of a mega-rich industrialist who has a lover named Renzo. Whilst driving together in her husband’s Rolls-Royce, Anna must determine which is the most important to her happiness – Renzo or the Rolls. Renzo rethinks his infatuation with Anna when she expresses no concern when they nearly run over a child.
Mara of Rome
Mara works as a prostitute from her apartment, servicing a variety of high class clients including Augusto, the wealthy, powerful and neurotic son of a Bologna industrialist.
Mara’s elderly neighbour’s grandson visiting them is a handsome and callow young man studying for the priesthood but not yet ordained who falls in love with Mara. To the shrieking dismay of his grandmother, the young man wishes to leave the clergy to be with Mara or to join the French Foreign Legion if Mara rejects him. Mara vows to set the young man on the path of righteousness back to the seminary and enlists the reluctant Augusto. Mara provides a strip tease at the climax of the film.
Vittorio De Sica
Vittorio De Sica grew up in Naples, and started out as an office clerk in order to raise money to support his poor family. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. By the late 1920s he was a successful matinee idol of the Italian theatre, and repeated that achievement in Italian movies, mostly light comedies. He turned to directing in 1940, making comedies in a similar vein, but with his fifth film The Children Are Watching Us (1944), he revealed hitherto unsuspected depths and an extraordinarily sensitive touch with actors, especially children. It was also the first film he made with the writer Cesare Zavattini with whom he would subsequently make Shoeshine (1946) and Bicycle Thieves (1948), heartbreaking studies of poverty in postwar Italy which won special Oscars before the foreign film category was officially established. After the box-office disaster of Umberto D. (1952), a relentlessly bleak study of the problems of old age, he returned to directing lighter work, appearing in front of the camera more frequently. Although Yesterday, Today and Tomorrow (1963) won him another Oscar, it was generally accepted that his career as one of the great directors was over. However, just before he died he made The Garden of the Finzi-Continis (1970), which won him yet another Oscar, and his final film A Brief Vacation (1973). He died following the removal of a cyst from his lungs.
IMDb Mini Biography By: Michael Brooke
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