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Matrimonio all’Italiana

Film by Vittorio De Sica

CINEFORUM – MOVIE SCREENING

Domenico Soriano, a successfull businessman, with an eye for the girls, begins an affair with Filumena when she is 17 years old. She becomes a prostitute, but also becomes the mistress of Domenico. He eventually sets her up in his apartment, and she works for him in his various businesses. She secretly bears three children, who are raised by nannies.

 

Italy 1964, 101 min.
Directed by Vittorio De Sica
Film in Italian with English subtitles

TRAILER (via Youtube)

DOORS OPEN AT 6:00PM AND CLOSE PROMPTLY AT 6:30PM

 

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Please click on “Make a Reservation” by February 18, 2014 at 2 PM

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LOCATION
Embassy of Italy – Auditorium
3000 Whitehaven Street NW
Washington, DC 20008

MORE INFO

Synopsis

Domenico Soriano, a successfull businessman, with an eye for the girls, begins an affair with Filumena when she is 17 years old. She becomes a prostitute, but also becomes the mistress of Domenico. He eventually sets her up in his apartment, and she works for him in his various businesses. She secretly bears three children, who are raised by nannies. Domenico starts planning to marry a young employee. Filumena tricks him into marriage by pretending to be dying. Domenico annuls the marriage. Filumena then tells him of the three children. She says that one of the children belongs to Domenico, but will not say which one is his. You start to believe that all of the children could be his, and Domenico then marries Filumena again, this time willingly.

Vittorio De Sica

Vittorio De Sica grew up in Naples, and started out as an office clerk in order to raise money to support his poor family. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. By the late 1920s he was a successful matinee idol of the Italian theatre, and repeated that achievement in Italian movies, mostly light comedies. He turned to directing in 1940, making comedies in a similar vein, but with his fifth film The Children Are Watching Us (1944), he revealed hitherto unsuspected depths and an extraordinarily sensitive touch with actors, especially children. It was also the first film he made with the writer Cesare Zavattini with whom he would subsequently make Shoeshine (1946) and Bicycle Thieves (1948), heartbreaking studies of poverty in postwar Italy which won special Oscars before the foreign film category was officially established. After the box-office disaster of Umberto D. (1952), a relentlessly bleak study of the problems of old age, he returned to directing lighter work, appearing in front of the camera more frequently. Although Yesterday, Today and Tomorrow (1963) won him another Oscar, it was generally accepted that his career as one of the great directors was over. However, just before he died he made The Garden of the Finzi-Continis (1970), which won him yet another Oscar, and his final film A Brief Vacation (1973). He died following the removal of a cyst from his lungs.

IMDb Mini Biography By: Michael Brooke

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